Photos from the Environmental Crisis exhibition
Photos from the Environmental Crisis exhibition at Gerald Moore Gallery, London, with screenings of The End of the World as we know it.
Exhibition photos Joe White
BLOG – NEWS
Photos from the FORCES exhibition
Photos from the FORCES exhibition at The Old Biscuit Factory, London, with screenings of my video work The End of the World as we know it.
Environmental Crisis exhibition at Gerald Moore Gallery
Gerald Moore Gallery, London, has a new exhibition “Environmental Crisis”, where I am participating with video work. The exhibition is open 13 February – 14 March, come by if you can.
More information at Gerald Moore Gallery’s website
In My House
This week I am taking over a house in Southampton, UK, with a solo exhibition in a domestic setting. The exhibition, “In My House”, is showing images and videos from “The End of the World as we know it” on TVs, monitors, and as projections in the inhabited space.
“In My House” is curated by Abigail Miller, from 14th January she is also documenting it on her website www.abigailmillerstudio.co.uk, check it out.
Photo from Instagram @abigailmillerstudio
EPICENTRE is showing some of my works during The Wrong biennale
The Wrong new digital art biennale is showing works from my project ‘The End of the World as we know it’ in their main offline show EPICENTRE, all routers hosting the exhibition will be installed at Centre del Carme Cultura Contemporània in Valencia and 20 other locations in Comunitat Valenciana (Spain).
The Wrong new digital art biennale opens on November 1st 2019 and closes on March 1st 2020.
Highly Commended award from Red Line Art Works
Art with a conscience global project Red Line Art Works has selected my works as Highly Commended, the recognition is given for series of works which has globally significant humanitarian or ethical importance.
Works shown by Red Line Art Works in 2018 are Macro IV and Macro VI from my video series Macros of Life, my glitched images series from Greenland and Indonesia, and videos based on Greenland’s landscape from BLACK I-IV and RED I-IV and MANIFESTO